Maa Bamonti Kali -
Maha Bamonti Kaali is the most compassionate of all the forms of goddesses as she provides salvation or liberation to her children. Kali is equivalent to Shiva because both of them are the destroyers of evil fake and unreal. It is considered that with the glimpse of Maa Kali, ego trembles with terror seeing its own eventual demise in her.
People who are attached to their ego would not be able to receive the idea of Kali and she will appear in a wrathful form to them. But people, who are engaged in spirituality, removing the illusion of the ego, will find Maha Bamonti Kaali in a different form. Maa Bamonti Kali will appear as sweet, affectionate, and overflowing with perplexing love for them.
Goddess Maa Bamonti Kali has four arms and hands depicting her immense strength. In two of her hands, she holds a sword and a fresh severed head, representing a great battle in which she defeated the demon Raktabija. The other two hands are there to bless her true devotees, suggesting that they will be saved as she will guide them here and in the hereafter.
To add to her dreadful appearance, she has long, sharp fangs and claw like hands with long nails and blood smeared on her lips; she laughs loudly, dances madly. She is a goddess who, in the words of David Kinsley, "threatens stability and order. Although she may be said to serve order in her role as slayer of demons, more often than not she becomes so frenzied on that battle-field, usually becoming drunk on the blood of her victim, that she herself begins to destroy the world that she is supposed to protect. Thus even in the service of the gods, she is ultimately dangerous and tends to get out of control. In association with other goddesses, she appears to represent their embodied wrath and fury, a frightening, dangerous dimension of the divine feminine that is released when these goddesses become enraged or are summoned to take part in war and killing. In relation to Shiva, she appears to play the opposite role from that of Parvati. Parvati calms Shiva, counterbalancing his anti-social or destructive tendencies. It is she who brings Shiva within the sphere of domesticity and who, with her soft glances, urges him to moderate the destructive aspects of his tandava dance. Kali is Shiva’s "other" wife, as it were, provoking him and encouraging him in his mad, antisocial, often disruptive habits. It is never Kali who takes Shiva but Shiva who must becalm Kali. Her association with criminals reinforces her dangerous role vis-à-vis society. She is at home outside the moral order and seems to be unbounded by that order."
To add to her dreadful appearance, she has long, sharp fangs and claw like hands with long nails and blood smeared on her lips; she laughs loudly, dances madly. She is a goddess who, in the words of David Kinsley, "threatens stability and order. Although she may be said to serve order in her role as slayer of demons, more often than not she becomes so frenzied on that battle-field, usually becoming drunk on the blood of her victim, that she herself begins to destroy the world that she is supposed to protect. Thus even in the service of the gods, she is ultimately dangerous and tends to get out of control. In association with other goddesses, she appears to represent their embodied wrath and fury, a frightening, dangerous dimension of the divine feminine that is released when these goddesses become enraged or are summoned to take part in war and killing. In relation to Shiva, she appears to play the opposite role from that of Parvati. Parvati calms Shiva, counterbalancing his anti-social or destructive tendencies. It is she who brings Shiva within the sphere of domesticity and who, with her soft glances, urges him to moderate the destructive aspects of his tandava dance. Kali is Shiva’s "other" wife, as it were, provoking him and encouraging him in his mad, antisocial, often disruptive habits. It is never Kali who takes Shiva but Shiva who must becalm Kali. Her association with criminals reinforces her dangerous role vis-à-vis society. She is at home outside the moral order and seems to be unbounded by that order."
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